Posts Tagged ‘homostash’

Deepchild

The Homostash crew have garnered quite the reputation for introducing us to special guests that have quickly become members of the Superstore extended family, and we have a feeling that their upcoming guest Deepchild will be no different! A regular for many years at iconic queer parties ranging from Sydney’s Club Kooky to Berghain and Panorama Bar, the newly arrived Dalston resident can’t wait to unleash his signature brand of sassy, jackin’ queer AF house and techno on our lazerhole! AND… Not satisfied with simply playing at Homostash, he has recording a VERY special track especially for us, available as a free download to all of you! We caught up with him to senses of place, dancefloor debauchery and plans for Friday’s Fetish edition of Homostash

 


Deepchild! We can’t wait to welcome you soon for your Superstore debut! What have you been up to so far in 2018?

Thank you SO much – I have to admit, I’m VERY new to London. I’ve moved from being a long-term resident of Berlin by way of an 18 month stop-over in Sydney, and the pace of London is still entirely new to me! I’ve basically spent the better part of the last 6 months finding my feet here, working on new new material (as both Deepchild and Acharné), bouncing between here and Berlin, New York and Amsterdam, and trying to build a tribe amidst it all. Dalston Supertore has been on my radar for years as a pretty special place, community hub and spiritual homeland for more than a few of us on the fringe, and it’s an honour to be playing there. I’ve taken myself there for a few quiet drinks over recent months, and this upcoming show feels like it might be part of cementing my new place in this little corner of London.

You have played some incredible venues and festivals, ranging from Berghain and Tresor in Berlin to Exit and Pyramid Rock festivals, what has been the highlight of your career so far?

This is always a difficult question for to answer, as I’ve found that the most rewarding moments for me as a DJ / performer have frequently been the least obvious ones. There’s certainly been a great honour to play incredible parties like Berghain / Panorama Bar, but I’ve felt most deeply blessed by opportunities to tour internationally to far less-known communities for whom the role of music and dance is truly vital and central to spiritual survival! My roots in the mid nineties in Australia were really centred around the sense of belonging I found through queer and alt parties like Club Kooky and Frigid in Sydney, and I’ve maintained enduring friendships (and more!) through these gatherings to this day.

I certainly don’t subscribe to the notion of an ‘underground / overground’ polarity, but I’ve really felt deeply grateful for both ends of the spectrum. Anywhere the divide between performer / audience dissolves is sacred ground for me. Recently I’ve been doing more community work and mentoring for young artists, and this kind of work feels as nourishing for me as any large club show I might have performed. It’s ALL about intention and remembering what music and dance can genuinely do to help heal and liberate. Speaking of which, I’d love to be a regular part of something (like Homostash, for example) again after so many years of touring solo – I think its on my London bucket list. To be part of a tribe of sorts again. This feels like a good place to start, no?

What is your earliest musical memory?

Most likely either Neil Diamond or Willy Nelson, played on an old cassette in the stereo in my father’s old Chevy Blazer, driving across the desert in Riyadh, Saudi Arabia.

We love your edit of Alicia Keys’ Fallin’! Do you take a lot of your inspiration from popular music?

I am hugely inspired by contemporary pop and RnB – I feel as much as dance-music conventions from the ‘underground’ filter up into the pop charts, the opposite might be seen to be true. The influence of artist vocals from Brandy or Aaliyah on the UK Bass scene, for example, is massive. I’m fascinated by the economy and production chops of the pop form, and I have so much to learn from the mainstream at large. Drake, Rihanna, Beyonce, Alica… to me they are wonderful partners to Blawan, Basic Channel, Kowton, Hessle Audio….


What does your production process look like?

It’s very much constant and organic. I’m constantly taking notes, downloading reference sounds, tracks, reference material. I tend to sculpt sounds from the ground up, often using a lot of field recordings of found sound, and writing compulsively, generating thousands of loops, hooks, beats etc – all in Ableton Live, which i use as an audio sketchpad as well as for creating arrangements.

These days I’m almost 100% in the digital domain (no fancy studio) and I’ll use whatever tools are at my disposal. I’m not precious about hardware or special plugins. The writing process (for me) is generally quick, dirty and rarely begins with a blank canvas. The challenge is to capture a vibe as quickly as possible, and finesse later. In general, less is more, so I try to adhere to a lot of limitations… eight or less tracks, few effects etc etc… Vibe, vibe, vibe!

What is the craziest thing that has ever happening during one of your sets?

I’m quite sure someone has taken a dump on the dancefloor, but memories are too hazy at this stage. I’ve certainly had the plethora of cliché (and often uncomfortable) enthusiastic fan moments, but (in the past) that was certainly my own biggest liability. I’m pretty clean-living these days, but in a previous incarnation I might have placed myself and my arsenal of live equipment in harms way through ill-advised use of certain substances. Funnily enough, my first concern in situations like this was always for the equipment I may have been inadvertently knocking off tables, rather than for my own sanity. I’m an old grandpa by relative standards these days 😉

Your home city Sydney is one of the queer capitals of the world – what are your favourite things about the city?

The coffee, the joyous physicality of the culture, the small but precious and defiant light of the aforementioned queer / club community. Again, if you are Australian, there really is no illusion that you are at the centre of the world – it’s just not true. Australians are bastard children, stranded in paradise. Whilst often I feel there’s an odd sense of entitlement from certain quarters of the upper-middle class, the sheer affluence of Australia (financially and naturally) imbues a sense of possibility, of potential, of robust self-confidence. I am ashamed of the reactionary conservatism of our government, but in equal measure so humbled by those who chose defiant positivity. It’s clichéd but films like Priscilla, Queen of the Desert do speak so much to what I love about Australian culture, and the mix of heartache, terror and surreal beauty which the land facilitates.

As well as Sydney, you spent a while living in Berlin – how do you think your adopted home has influenced you as an artist?

Berlin was beyond glorious to me but it felt time to start a new chapter in London. As far as Australia is concerned – its a confounding and wonderful place. Deeply conservative, but also an amazing hybrid of cultural identity without a clearly defined ‘cultural identity’. I think this has produced some fascinating artistic output, and a genuine robustness amongst Australians who, as we say, tend to just ‘get on with it’. I’m grateful for the Australian ability to laugh at oneself, to work hard, travel far, and be willing to reinvent. White Australia really was the ‘cast off’ of Britain, and this breeds a certain larrikin sensibility I appreciate. People like myself are criminal descendants, thrust into Indigenous land – and this poses an interesting challenge – how do we, as outcasts, compassionately respond to a (beautiful) environment whose people we have essentially dispossessed? For me, this narrative goes deep.

Berlin has influenced me deeply as an artist, and as a person. I feel like it’s a culture which fundamentally values and protects notions of fairness, kindness, equity and justice  – values its has to cultivate proactively in the light of WW2 and beyond. It really was a city that took me under its wing, and has profoundly changed me forever. In many ways it IS an artistic paradise, but Berlin for me was always more about a set of ideas for living, than a physical space. At the end of the day, it left me with the quiet reassurance that we have ALL done terrible things, and yet we are also all seeking the basic hope that we are enough. There’s a vulnerability which the city breeds if you choose to embrace these lessons – but ultimately it was a city which offered me a courage I didn’t think I had.

If you could collaborate with one artist, living or dead, who would it be?

Donnie Hathaway. But god, how could I add anything to what he had?

You have recorded an exclusive track for our Superstore and Homostash family, can you tell us a bit about it?

I have indeed, and it’s a pleasure. I feel like it’s important (personally) to mark moments which feel a bit special with small gestures of gratitude… and this is mine. Whilst I’m continuing to produce as both Deepchild and Acharné, I’ve wanted to start experimenting with more raw, tool-based approach as DJ Boyfriend – and this track is my first experiment under this moniker. Its a sort of homage to a bunch of the old Dance Mania stuff which has really got under my skin in recent years. Raw, basic, jackin’ music!

If you had a time machine and could go dancing anywhere or when, where would you go?

Paradise Garage, 1987…

If you had to sum up what you will be bringing to our lazerhole for Homostash in five words or less, what would they be?

Love, hope, fierceness, friendship, techno. 


Catch Deepchild at Homostash: The Fetish edition on Friday 9 March from 9pm-3am at Dalston Superstore!

Chicletol

There are not many DJs with quite as many plates in the air as Chicletol. When he’s not DJing or hosting his prolific party series Hard Candy, he is hard at work taking photographs for The Hot Spot, collaborating with the Moritz Feed Dog Film Festival, or working at the DMentes agency. We are thrilled that he has taken time out of this crazy schedule to join us at the next Homostash party! We caught up ahead of the party to find out what makes him tick!  

Hi Chicletol! We can’t wait to have you at Dalston Superstore for Homostash! How has your year been so far?

Hi darlings!! I am really excited about coming back to London, especially in a venue I’ve heard so much cool stuff about. 2016 has been a year full of changes, first-time experiences and professional growth. The best example: Moritz Feed Dog asked us about our voguing expertise to run and host a pre-screening conference for Paris Is Burning’s 25th anniversary, and I saw myself in front of a sold out cinema audience speaking about the ballroom culture and the relationship my collective La Rara has with it. Major stuff for me.

As a multi-dimensional artist, how do each of your individual practices inform one another?

It just happens in a very natural way, and it comes as surprise when I realise it. Sometimes I get knowledge from an experience working in events production that I try to turn into an upgrade for my creative projects. It especially happens with the people I know during big productions, travels, or crowded projects. A deep conversation in a break from a video shoot can make an idea grow in my brain and turn into a fun story for The Hot Spot, or a cool campaign for one of the events La Rara throws.

Can you tell us a bit about The Hot Spot?

It’s definitely my most precious baby. Although I’ve always been taking pics of everything around me and playing with cameras since I was a child, this project started innocently in 2009 when my ex-boyfriend Vins was very comfortable with his cool and arty nude pics I took. Then I realised I should portrait my hot friends the way my idols inspire me and post the pics somewhere. It all started with a tiny Tumblr but soon it became a big gallery with many known and unknown models that wanted to show off. Now I am working on curating a selection of only the best pics (maybe one or two per boy) and releasing the 7 photoshoots still haven’t seen the light.

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You have had some incredible guests at your Hard Candy parties! Who have been some of your favourites?

Yeah, I have had the honour to meet some really amazing artists. Cazwell and Brooke Candy were the most grateful and nice with me and the team. I really wish the best for them, they didn’t only make great performances but they showed a good human side which is not very usual in this scene. Iggy Azalea wasn’t that nice.

Who have been some of your greatest influences, both musically and visually?

Elvis di Fazio, the Synchrodogs, Slava Mogutin and Bruce LaBruce’s early work are always in my mind and I I proudly say I try to imitate them in some way. Their influence can be seen in my project The Hot Spot. It’s also very inspirational how the LA based photographer Luke-Austin manages his passion and turns it into business or humanitarian support.

I’m also thrilled by the creative eclecticism of divas like Alison Goldfrapp and Roisin Murphy, who can create trashy work pieces (or even wear trashy looks!) and then be the most glamorous creatures the next day. The colourful toughness by Die Antwoord always blew my mind, too.

What has been a personal highlight of your career this far?

Working at an agency called DMentes has really made me grow since I joined them a few years ago. I learned a lot about methodologies, and specially about observing the human behaviour around me. They actually showed me the power of shutting up and listening. 

Also, their connections made possible La Rara’s collaboration with Moritz Feed Dog Festival around the ballroom scene, which I consider a high point in my career. Everybody knew we were able to throw good parties but no one imagined we could host a conference related to culture, sociology and genre issues. 

Oh and I can’t forget bringing Iggy Azalea to Barcelona when, back in 2012, almost nobody knew her here.

If you had a time machine and could go dancing anywhere / anywhen, where would you go?

To the parties the dancers for the Madonna’s Blond Ambition Tour attended while working with her. I would have loved to hang out with those creatures.

What does 2017 hold for Chicletol?

I’m afraid a lot of busy weekends! I just became Locamente’s booking agent. They’re a production company focused on LGTBI entertainment, which makes me feel like a workin’ gurl at the office from Monday to Friday and it’s cool, but I also DJ in some of their events so it looks like a hard season. I just hope to have more free time for my personal projects, some big trips, and to meet nice & hot people 😉

Can you give us a sneak peak of what you have instore for Homostash?

Reading Horse Meat Disco and Larry Tee as part of past lineups at Dalston Superstore is a bit of pressure for me! Lol, no, it’s really a big honour… I am preparing a rough 90s-spiced-up set with a lot of femme touches. My main goal for this Friday is make you guys sweat.


Catch Chicletol at Homostash on Friday 9 September from 9pm-3am at Dalston Superstore!

 

SPENCER REED

The March edition of Homostash sees an extra special guest joining us all the way from the US via Berlin. Producer and DJ Spencer Reed has seen incredible success since making the move to Berlin in 2012, and we are absolutely thrilled for him to be making his Dalston Superstore debut! We caught up to chat favourite venues to play to, Berlin nightlife, and dream tracks.

Hi Spencer! We are super excited to have you play at Dalston Superstore for Homostash! Could you tell us a little bit about yourself?

I am originally from the USA and my hometown is Washington, DC. I am 33 years old. Music gives me life. I love grungy street art of all kinds. My favourite colour is green and I’m a Sagittarius.

You have played at some of Berlin’s hugest clubs, from Cassiopeia & Weekend Club to Kit Kat & Brunnen70. Which has been your favourite dancefloor to play to?

It’s a hard choice but I think Riter Butzke has been my favourite club to play so far in Berlin. The sound, lighting and atmosphere is amazing. The DJ booth is super and has a really nice monitor system.

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Having moved to Berlin from the US, how has your new home influenced your sound as a DJ?

Absolutely I would say Berlin has been one of the largest influences in my sound. Most of my favorites artist are based in Berlin. But also the vibe of the city has a deep effect on my musical taste.

If you had a time machine and could visit any dance floor anywhere/anywhen, where would you want to go dancing?

I would have to say Crobar in NYC back in the early 2000s. That was some of best clubbing experiences of my life. The club was massive in every proportion. They just don’t make clubs like that anymore.

At our sister venue Voodoo Rays we have pizzas named after Giorgio Moroder and Hot Mix 5…. What base and toppings would a Spencer Reed pizza have on it?

It would have to be deep, spicy, meaty and funky. So I would say a deep dish crust pizza with spicy salami and meatballs, mushrooms and extra cheese.  

If you were taking us on a date in Berlin where would be going to eat, drink and dance?

The choices are easy for me. First we would go eat at Kimchi Princess, a delicious Korean BBQ in Görlitzer Platz. Then we could go for a drink at Haus am See in Rosenthalerplatz for its super delicious cocktails and chill, hip atmosphere. And of course when it’s time to dance we would go to Berghain because that’s a life experience not to be missed. 

If you could collaborate with any producer past or present, who would it be?

I would love to have the chance to get in the studio with Len Faki. I am in love with almost all his productions and he is where I get a lot of my inspirations. I also think he has cool vibe and style.

You’re a big lover of percussion. What’s your favourite drumline in a house track?

 Definitely Are You There by Josh Wink. This is such a cool track with really analogue feeling drums. Every drumline in this whole track just gets me pumped.

Track you wish you’d produced?

 Music is the Answer by Caleda and Danny Tennaglia. More so I would have loved to remix it but it’s been done so many times now.

In five words or less, what do you have in store for Homostash?

 Dirty House and Techno


Catch Spencer Reed at Homostash at Dalston Superstore on Friday 11 March from 9pm-3am.

 

Homostash Silent Auction Fundraiser

Untitled, A3 Collage.
Text your bids to: 07961 938 529 (plus your full name and postcode)
Current bid: £25 (all proceeds to Movember charity)

November is upon us, and thanks to the beautiful people at Homostash, this month we will be throwing a special Movember fundraiser edition of Homostash to benefit men’s health charity Movember. As part of the fundraiser, we are proud to announce our first ever online silent auction!

Homostash collaborator Fernando Casado has kindly donated one of his collages to be auctioned off to aid Movember! Spanish artist Casado collaborated with Rodrigo Branco on the visuals for the previous Homostash event at Dalston Superstore, which attracted a lot of attention. He will be exhibiting some of his work as well the donated one pieces for auction for the Movember Foundation UK at the Homostash Movember edition

 

Check Fernando out on Cargo Collective and Instagram, place your bids, and join us on Friday 13 November for Homostash Movember edition from 9pm-4:30am!