This Saturday, we are thrilled to present the top floor debut of London house, disco and soul institution, Northern Soul Rave Patrol. Having played host to the likes of Andrew Weatherall, Sean Johnston and Doc Sleep over the past year, the Tusk crew have become synonymous with dark, deep, quality programming, and we can’t wait to see where they take us in 2018. Promoter and resident Ant C caught up with Chris Sweet and Will Nicol of Northern Soul Rave Patrol ahead of Saturday’s TUSK to chat London clubland, dream gigs, and record bag classics!
Hi guys! I hope you have been enjoying your Easter. Have you been out and about to any parties over the long weekend? What, where and who was playing?
CS:Yes, it’s been a big bank holiday weekend. Started with Jill Brook at our weekly Thursday night party Record Box at The Eagle, which is a vinyl only night playing Torch Song disco, sleaze/ morning music and hi-NRG, influenced by classic clubs like The Saint, Paradise Garage and Heaven. Then Patterns in Brighton on Saturday where Horse Meat Disco have a residency and then back to The Eagle for the packed HMD bank holiday party with Heidi Lawden over from LA – so lots of fun and good music.
WN:Went to see Gilles Peterson at Dreamland in Margate on Friday at the newly refurbished Hall By The Sea. It’s an amazing venue – closest comparison would be the Box at Ministry but with a decent bar in the same space. Some great tunes and we really enjoyed ourselves. Saturday I was DJing at Cinque Ports, again in Margate, which was fun although Johnny Henfry (Synth System Sisters) got me into all sorts of trouble!
Where did the idea for NSRP come from and how would you define your sound?
CS:About eight years ago we formed NSRP to reflect the music we loved and the scenes we had been into from soul to disco and house. It’s me, Will and Sean Leonard. We realised we had been friends since the mid eighties mod and Northern Soul scene and 100 Club. Then all got turned on in 1988-89 with the acid house and rave scene, inspired by the madness of Nude night at The Hacienda, Quadrant Park and Will at Shelleys. Plus amazing parties like Boys Own, Sign of the Times and NY house clubs like Body&Soul, Sound Factory and The Shelter through Sabresonic and up to A Love From Outer Space and Horse Meat Disco. All those clubs have soundtracked our lives and influenced us – we love house music but with some heart and soul and a dash of disco.
If you could play any gig/party/venue anywhere in the world, past or present, where would it be and who would be on your ideal bill with you?
CS:Ha! That’s a hard one as if we had the nightclub time machine there are a lot of destinations we’d want to plug in… From Manchester’s Twisted Wheel or Wigan Casino or Blackpool Mecca for Northern Soul, to Chicago’s Warehouse to hear Frankie Knuckles or Ron Hardy, but probably the maestro Larry Levan at the Paradise Garage must be the place, to paraphrase Talking Heads.
London has seen a huge amount of change in clubs and clubbing over the past few years, with the closure of many venues. Is this all just part of a repeating cycle in line with current politics, or do you think London is really changing permanently this time?
WN:I think the whole UK club market has changed enormously in the last 15 years – I don’t think it’s just London. The massive growth in festivals and kids looking for the “big event” rather than a weekly club to call their own, has caused a huge shift. In London with the economics of gentrification this is multiplied. I think it’s a shame, but then I’m an old git!
CS:I think the relentless rise in house prices in London and redevelopment has led to the loss of so many clubs and music spaces, which squeezes the nightlife out of the city and prices people out. It seems a shame London is becoming a bit sanitised like New York, unlike Berlin. That’s why it is so important for key venues like Dalston Superstore and The Eagle that support quality music and are welcoming spaces.
WN: London is a versatile and ever changing city, so it will adapt or mutate and re-emerge like dance music culture has over the decades. As Kerri Chandler said, really you just need a red light, a basement and music with feeling – we know Dalston Superstore and TUSK tick all those boxes!
What is one track that never leaves your record bag, and one new one that excites you right now?
CS:A total classic would be The Night Writers – Let the Music Use You (Frankie Knuckles mix).
Lots of great recent music but two that I love and have that emotional content of electronic music with soul would be The Black Madonna – We Still Believe.
and Sophie Lloyd feat Dames Brown – Calling Out.
WN:Soul classic: Ann Sexton – You’ve Been Gone Too Long.
Modern: HiFi Sean & David McAlmont – Transparent. Sean’s a friend of both of us and he’s in a rich vein of form right now. This is a Record Store Day exclusive we’ll definitely be playing it at TUSK.
Catch Northern Soul Rave Patrol’s bar takeover at TUSK on Saturday 07 April from 9pm-3am at Dalston Superstore!
This February sees an important anniversary of one of our favourite parties, Tusk! Promoters Ant C, James Baillie and Chris Camplin have been bringing over some of Europe’s most impressive underground electronic music talent to our lazer basement for three years now! With previous guests including Andrew Weatherall, Craig Richards and Doc Sleep, we can’t wait to see what they have planned for 2018. They’re kicking it all off with Ostgut Ton legend and Dalston Superstore favourite Prosumer! We caught up with the boys to chat past highlights, favourite club nights and
You guys have been throwing your TUSK night at Superstore for three years now! That’s awesome, happy anniversary! How did the three of you meet and start promoting together?
Ant C (AC): Thanks! Time sure has flown. It’s been a lot of fun. Thanks for having us! I’ve known the boys socially for years from out an about around London.
Chris Camplin (CC):Yeah, we would bump into each other at our favourite dance floors – in fact I think I met both James & Ant at Horse Meat Disco initially. I know James came back to my place for a post-HMD afterparty one bank holiday Monday.
James Baillie (JB):It became obvious we all had a love for music, so I took the idea to Chris and Ant about us doing our own night and TUSK developed from there…
For those that have never been to your party before – tell them what it’s about (and what they’re missing out on!)
CC:Amazing music, great DJ lineups, stellar crowd, lasers and that awesome DSS basement sound system.
AC:Yep, that pretty much sums it up. We just want people to have as much fun as we’re having. I do love me some lasers! We bring in some extra lasers for TUSK and the boys have started calling me Laser Minelli. I kinda like it!
If you had to sum up the TUSK sound in one track, what would it be?
CC:For me it would be – Tiga – Love Don’t Dance Here Anymore (C2 Remix 1)
AC:Tough question – I think it would have to be Markus Gibb – Tohl (Original mix) – Always seems to go off, plus I tend to layer it up with a vocal loop from Voodoo Ray, which fits nicely.
JB:For me it would be Shake It by Fantastic Twins.
Who have been some of your favourite guests over the years?
AC:We try to keep things fresh by working with people who have something individual to bring. Doc Sleep was awesome – she really worked us out. Ewan Pearson for his musicality. A Love From Outer Space (Andrew Weatherall and Sean Johnston) when they took over the basement all night for our Pride Special in 2016. Ketiov was great too and a world exclusive for us!
CC:Ketiov, Doc Sleep & Nail have been some of my faves.
JB:A Love From Outer Space, Craig Richards and Doc Sleep.
Has there been an overall highlight for you?
CC:Being able to book some of my favourite DJs and producers at one of my top clubs.
AC:As Chris says, being able to work with some of the people we have admired for years. Everybody has been super nice and its been interesting to hang out and chat with them about their experiences and get their advice and input.
Your special birthday guest is Prosumer – why did you choose him to ring in your fourth year?
CC:I think Prosumer has a special place in all our hearts and we’ve been discussing booking him for some time now and everything just landed into place!
AC:Yeah – absolutely. I met him at Glastonbury a few years ago and we got chatting and stayed in touch. I think he liked what we were trying to do with TUSK and seems much more open to working with people on that basis, rather than just going for the huge shows. I tried to make it happen during 2017, but we couldn’t make the dates line up – so the third birthday party seemed the perfect choice to have him with us!
What are some of your favourite club nights in London at the moment?
CC:Of course at our sisters Discosodoma and Homodrop at Superstore are up there along with the legendary Horse Meat Disco.
AC:All of the above. I’m also enjoying the residency programs that XOYO and Phonox are running – its interesting to get somebody else’s take on who to put together to make a cohesive night of music.
JB: Similar really – A Love From Outer Space, Chapter 10, Discosodoma and Horse Meat Disco.
Any DJs that you would love to work with in the future?
Ahead of his UK debut at Dalston Superstore on the 8th of August, People Like Us spoke to Sören Miehe about his infamous Berlin party, Our Hobby is Different, his musical background and why he loves a hand clap over a cow bell.
PLU: We first heard of you through your legendary sets at Horse Meat Disco in Berlin and your much talked about party, Our Hobby is Different (OHID)… Tell us about these parties you do…what inspired them and what happens at them? A record that perfectly sums up the vibe of OHID?
Sören: Our Hobby Is Different was launched five years ago by my lovely friend Jan in a club called Raum. It was an amazing factory floor but unfortunately had to close after some years filled with intensive party nights. I just moved to Berlin and tried to find partners to share and play music. We met one night and found out that we are both loving soulful electronic music and became friends. Shortly after I played my first time for OHID at Raum, Bastus joined and we organised the party together. Another enrichment is Goolyk – he is frequently playing his amazing live set at our parties. Thus OHID is Jan as promoter, Bastus and me as resident DJs, Goolyk as live performer and – to complete – Dan, who is working in the background writing press articles and participating in bookings.
Sometimes we invite DJs and live acts playing Disco, sometimes House or Techno and other times it’s something totally different. It’s hard so choose just one track which sums OHID, but this one fits great, especially because Jan is crazy about Prince!
PLU: Was there a moment watching a DJ/band/musician that made you want to become a DJ?
Sören: When I was about 16 years old, living in my hometown Bremen, I was often hanging around at a friend’s place jamming on instruments and listening to music. My friend had a quite nice collection of Hip Hop and Rap records and 2 Technics 1210s. I think that was the first time I got in touch with turntables and I was really impressed by its beauty and the warm sound of vinyl. First I even didn’t know what kind of music I would like to play. I went to Robert Johnson club in Frankfurt / Offenbach frequently – the soundsystem is great and fits perfectly for electronic dance music. Also their resident DJs and invited artists play really good house and disco sets. Some of the artists I saw there for the first time and who influenced me a lot in selecting what I’m playing today are Gerd Janson, Philip Lauer, Moodymann and of course, Daniel Wang.
PLU: If there was a biopic made of your life, who would do the soundtrack and why?
Sören: Maybe this could be done by two very close friends – my OHID partner in crime Bastus, and Malte, a great guy I have known since I was 15. Both are very creative, with a huge knowledge of music and maybe know myself better than I do!
PLU: If you were curating a weekend party or festival, what would be your dream line up of artists?
Sören: It would be a very colourful festival with stages for Disco, House, Folk & Psychedelic Rock, Latin Music and African Drums. To mention a few artists I would love to invite: Prince, Patti Smith, Neil Young, Grateful Dead, Jerry García, Tom Waits, Nick Cave, DJ Harvey, Gerd Janson, Moodymann, Omar-S, Luke Vibert, ND Baumecker, Prosumer, Floating Points, Albion… and a lot of friends!!
PLU: Do you have a favourite outfit you like to DJ in? Do you get dressed up or just regular clothing?
Sören: Usually I’m wearing regular clothes. Ha, but I promise to think in something very nice looking for Dalston Superstore, deal?
PLU: HAHA. Deal!Cow bell, hand clap or wood block, which is your favourite and why? Is there a track that demonstrates the use of that percussion really well for you?
Sören: That’s a really hard question! There’s one track I have loved playing for years, over and over again, and which excellently demonstrates the accentuation of beat 2 and 4. It’s not a hand clap, but a combination of snapping fingers and a snare drum. I love that organic sound. If a had to determine, my answer is hand clap!
PLU: AND finally, what do you have in store (pun intended) for us when you visit Dalston Superstore (apart from dressing as a piece of fruit as the theme suggests)?
Sören: I will bring a selection of classic and recently released disco, boogie and warm sounding house records to London – tracks I love to play this summer. Let’s be curious about it, I’m already looking forward!
This Friday we welcome Swedish queers Staffan Lindberg and Pjotr to Superstore’s laser basement. Known for their forward-thinking LGBTQ party, Polari in Stockholm, the two have brought some amazing names to their hometown, including Virigina, Sprinkles, Portable and even our very own Hannah Holland.
And now it’s our turn to bring these two dreamboat DJs to you. Ahead of the party, we quizzed them on filthy Swedish chat-up lines, what their highlights were from their Stockholm Pride party with Gutterslut and Horse Meat Disco and what their end of the night tracks are…
How did you come across the term “polari” and decide to use it as the name of your night?
Staffan: I think I saw a documentary about Quentin Crisp where he speaks it and got to know about it that way. The name is about something we can relate to and it looks good in print, and on top of that it’s a way to focus on gay history in times when there is a worldwide backlash on gay rights.
Pjotr: Yes, it just felt right for us now in the sense of showing our “gayness”. I’ve known about the language for quite a while, since I used to live in London. Taking that name was also a kind of fun thing to do; no straight people would know about it and suddenly they are totally engulfed by this gay night without having a clue. It’s a secret language after all…
What’s the dream Polari line-up venue, crowd, everything?
Staffan: The 150 year old ballroom at Berns that we’ve been using this summer has been perfect. Crowd wise I think that a mixture of LGBTQ’s, freaks and music heads is the best way to get a good party. It feels like we’ve had our dream lineups already this summer but I do wish that we’d have time to book Frankie Knuckles before he passed away.
Pjotr: The venue of course, and the bookings. We have been blessed – from a lot of hard work. But really, without the crowd, no party would exist. And that was our plan with this club, to turn it into a family affair. If you weren’t there dancing, with this great booking and this great venue – the party would suck. We wanted all of our old and new friends to be there and that they would feel included. So the dream has kind of been what has been going down this summer to be honest.
What were your highlights from Stockholm Pride?
Staffan: We did two parties during the Pride weekend that were both great. I think dancing to Pjotr and Horse Meat Disco in the Mirror room and playing techno with Boris in the basement were my highlights. And all the happy queers that came to our parties of course!
Pjotr: Thanks for saying that! Cause, I mean, to be honest… I was the worst host ever; I didn’t even leave the Mirror room where I was playing with Severino and Luke from Horse Meat – we had so much fun!! I was dancing so hard and laughing so much in that packed room. Me and Severino found an ironing board and an iron that someone had forgotten in a corner (it’s a hotel…) and we started vougeing with it. It was the best party I have ever done. And that says a lot…
Considering the caliber of guests you’ve had, who has been your favourite guest for whatever reason from this year’s summer season at Berns? Why were they so good or interesting and what was their standout track they played?
Staffan: Of course it’s hard to pick a favourite, but one who did something sounding like nothing else I’ve ever heard was DJ Sprinkles. Very deep, yet very groovy and long bits without a ”proper kick”, but everyone loved it and adapted to the music. Really inspiring.
Pjotr: Sprinkles was definitely a mutual favourite – to hear and meet. She went deeper than anyone I’ve ever heard in Stockholm. It was very intriguing… I mean we’ve had Hannah Holland, Portable, Solar, Discodromo, Virginia, and fellow Swedes Genius of Time… And the whole line up of the Pride Party with the East London drag queens… But someone that really made deep marks in my heart is definitely cosmic pop princess Zhala, who is Robyn’s first signing to her Konichiwa label. Her live set was out of this world. She can kill with that voice.
And also Crazy P was special to me. I’ve wanted to book them for a long time – Hot Toddy and Danielle Moore’s set, plus her voice!! Have you heard anything like it?? PHWOOOAR!! A lot of old disco peeps came out for that one which was great.
You’re taking us on a date in Stockholm… What are we eating? What and where are we drinking? What dancefloor will we end up on? Tell us how you would woo us in your hometown…
Staffan: Since eating out is ridiculously expensive in Stockholm we’d go to Dimsum 58 and eat delicious but affordable dumplings with duck, Sichuan chicken and portabello mushrooms. Then have beers and Jäger at Side Track with the grumpy bears, continue to Trädgården for more and finish up in the basement at Berns with dancing and Moscow mules.
Pjotr: Well, if it was a private date you’d probably be eating in my bed. I won’t go as far as telling you what. But if we stay on the record, I’d actually probably take you to Berns – I mean, both Staffan and I have been residents there for various amounts of time, but it’s great to bring people over; you can really spoil and pamper your favourite DJ’s or guest there. Or this small place called Barbro in a part of town called Hornstull. That is my favourite at the moment – the best Asian food in Sweden. For dancing, of course we will take you to wherever I or Staffan is playing – are you kidding?! We are in this for a reason haha!
What, in your opinions, are the best queer parties and clubs around the world to play and dance at?
Staffan: One of my favorite queer clubs is Finalmente in Lisbon, which is a really small place with a great mixture of people, super commercial reggaeton-house remixes of radio hits and a drag show to die for every night at 03.00. In London Horse Meat Disco and Dalston Supstore have been favorites for a long time, and of course nothing compares to Berghain. Always fun as a visitor, and playing at Panorama Bar is really the most fun a DJ can have I think. Oh, and I played at a really cool mixed party in Brussels earlier this year called Open The Box.
Pjotr: I would have to say Honey Soundsystem in San Francisco for sure. Those boys work hard and they do it SO well. I’ve had amazing times there. Not yet played, but hopefully sometime soon. I have played in SF at Dial UP for Dr Sleep (who played at Dance Tunnel a while ago), and that was great. SF queer parties are pretty rad. And of course – dancing at Panorama and Horse Meat – again….! And WreckedNYC by Ron Like Hell and Ryan Smith – amazing party!
Can you teach us a filthy chat-up line in Svensk?
Pjotr: “Vill du följa med hem och käka skäggsmörgås?” It’s not translatable.
Staffan: Swedes get straight to the point and say: “Ska vi knulla?”
Pjotr: That is really the only line you need.
Staffan: Because it’s a venue with so much history, amazing spaces to do parties and we can put loads of people on the guest list, haha.
Pjotr: I mean, we are fresh from the summer, and we have been in a big ballroom upstairs which can be attracting a really weird crowd… But when we did Polari, for some reason we just attracted the weirdest and best mix ever. It was so fucking funny; suit guys jerking off in their pants to the trannies, the freaky fashion faggots vogueing away to our weird animal visuals, music guys who are dancing non stop with a bunch of lesbians… Yeah, Polari just really worked. The soundsystem is also great. We had only compliments from our fellow colleagues.
If you had a time machine what dancefloor would you want to visit anywhere/anywhen?
Pjotr: I would love to visit The Saint in New York in the ’80s… Have you seen that?? It’s… mind blowing. If you google “The Saint nyc + flickr” there’s a whole account dedicated. The people going, the DJ’s, the performers, the light rig… Also their flyers were great. Lots of open letters from DJ’s and stuff. And they always put out the light person’s name on the flyer. Like, they were stars, which I find amazing. That place, and of course Paradise Garage. And Danceteria. I’d like to listen to Madonna there.
Staffan: I think I’d either want to go there to, to New York, but in the ’70s and go dancing at Paradise Garage – I mean how can you not mention it. London in the ’80s and go to the Blitz, or all the way back to Berlin during the Weimar Republic in the ’20s and experience the gay decadence at one of the hundreds of clubs that were around back then.
What are your end of the night, lights up, slowdance tracks?
Pjotr: Staffan, do you dare to let me answer this? He always gets so embarrassed. I have no shame. I’d probably play The Miracle Of Love by The Eurythmics. It’s very special to me. I’d either cry or go home to fuck. But I know it wouldn’t be the last track if I was playing with Mr. Lindberg…
Staffan: I would never waste the last minutes on a slowdance track! Here’s one of my favourites to end with…
Wayne Shires has been at the forefront of London’s underground queer culture for several decades. From the best acid house warehouse parties in ’89 through to legendary dance floors like Substation, Bar Industria, Crash, Area, The Cock and his current baby East Bloc. He’s also been busy preparing for this weekend’s massive Summer Rites festival. Superstore’s Dan Beaumont caught up with him for a cuppa.
Can you please explain the compulsion to throw parties and open venues?
I think it must be some form of masochism. It can be really tortuous but at the same time it can be very euphoric and satisfying and rewarding when you get to that point where you see people enjoying themselves, and you’re the one who’s created it. It’s not a vanity project. I just really enjoy people having a good time. I’ve always liked putting on a party.
You started putting on parties during the acid house era?
The very first party I put on was a Sunday night at what used to be called The Apollo, which was a rent boy bar in Soho, which turned into The Brain run by Sean McLusky [legendary London music promoter- Dan] and later become Trash Palace on Wardour street. I’ve been going to clubs since I was about sixteen – I met Princess Julia around then. I used to go to Heaven, Subway. Lasers on Green Lanes, Bolts.
I started going out in clubbing London and then I moved to America and had a had a stint there hitting the clubs. When I got back, there were warehouse parties and people were taking ecstasy, but there wasn’t really the music.
We used to go to Ibiza every summer. One year we went to Amnesia, I remember turning round and thinking “who are these people in shorts and smiley T-shirts, and what’s this music they’re dancing to? And they’re all off their heads!”
That’s when I met Terry Farley and Danny & Jenni Rampling. Jenni said, “We love you guys, you have to come to our club Shoom when you get back to London.”
I remember the first time I went to Shoom I wore jeans and a shirt.
Next week in dungarees and smiley T-shirt?
Dungarees, smiley T-shirst and little round glasses. I dived straight into it – this was ’88.
And the Boys Own parties, East Grinsted – the famous one – the one down on the lake. That party was like the Sex Pistols gig at the 100 club. Everyone says they were there but they weren’t! I was there. I can tell you who was there. We were going to all that and I was then going back into ‘gay world’ and thinking “gays would love this.”
We used to go to a club called Queens on a Sunday afternoon run by Phil Perry and we were like the little gang of gays, about five of us – the token gays – but they adored us. Suddenly I was hanging out with football terrace boys, Chelsea fans, and they were all pilled up and loved up and very accepting. I just thought it would be really good to put on a party where that lot met my lot and we just kind of merged it.
The first party (getting back to your original question!) was a Sunday night at the Apollo. We wanted somewhere on a Sunday and the Apollo really unusually had a 5 o’clock license on a Sunday. This was ‘89. So we did a party there called ‘Eclipse’ that both Phil Perry and Danny Rampling played at plus a budding DJ who used to badger me all the time called Ashley Beedle. I gave him his first gig!
And then you went on to do warehouse parties?
There was an arts space called The Diorama which is at the back of Regents Park Crescent and it’s a really beautiful hexagonal art space. There would be art happenings there and exhibitions. We hired it. It had ridiculous restrictions like you weren’t allowed to sell alcohol so you had to include it in the ticket price. It only went on til 2AM. When we did the first one there was this old guy who used to be the caretaker and actually lived upstairs in this room with an Alsatian dog. We were getting the stock in on the first one and he said “oh Red Stripe – my favourite drink” and we went “do you want a case” So we gave him a case.
Later on it got to 2AM and he was by the bar loving it and he said “Just go on.”
So we carried on til six in the morning. We got away with doing those monthly for about two years.
Were they gay parties?
They were mixed. We had Kinky Gerlinky drag queens with Terry Farley, and we merged the whole thing. That’s when we started integrating people like Princess Julia and all those DJs in with the West London house DJs. You’d have drag queens dancing next to Chelsea boys.
Was your first foray into venue owning Substation?
I had one before that called Bar Industria which was off Regent Street. Fat Tony did a night called ‘Abba’ on a Tuesday. Linda Evangalista DJing, stuff like that. I went up to her and said “Can I get you a drink?”
She said “Yeah bottle of tequila.”
Are we in the ‘90s now?
So this is supermodels and glam house?
Basically. George Michael used to come. It was fun. That only lasted a year and then we did Substation. Everything I’ve ever done has been inspired by a two year period when I lived in America. Every reference I have ever used is from that. So Bar Industria was Boy Bar, so it was very light, trophies on the wall, table football, checkerboard vinyl flooring, kind of a boys club. Very municipal, like a working men’s club. So there was that and then we went on to do Substation, which was Stallions before, and then became Ghetto after. We were there for five years. That was kind of Anvil/Mineshaft New York. Oil drums, chain link fencing, gay porn vodeo shoot style.
I remember pop videos being shot there?
Yeah quite a few.
I was hanging out in New York a lot at the time, hanging out with Rob di Stefano from Tribal Records and met Danny Tenaglia through him. I did a party for them down at what become the original XXL venue. Danny used to play Substation when he was in town. It was quite a special time, really.
Then we did Substation South in Brixton, which was a sort of South London version of the Soho one and you’d get away with a lot more there! That was Queer Nation’s home for many years. And it suited it and was perfect.
And then you invented Vauxhall?
I don’t know if I want to be credited for that right now! Substation moved to a bigger space on Dean Street – high ceilings, 600 capacity, we had it for about two years. When we were in the original venue you could open Monday Tuesday, Wednesday with like a hundred people in and it would look great. But the Dean Street venue needed like four hundred people in it and we couldn’t do that Monday to Thursday. We survived there for about two years. We had a lot of shit from the police. They would turn up and there would be a sea of boys with their shirts off and they would say “Your license says people need to be properly attired, tell them to put their shirts back on.”
I would stand at the door arguing with the police saying “You go and tell ’em to put their shirts back on!”
I got taken to court! Basically one Friday night we got a visit from the club squad. About five of them turned up in trench coats– it was all very bizarre. And they came in and said, “Can we just walk around?”
So we walked through the back way and literally as we turned into the dance floor this guy dropped to his knees and started sucking this other guy off!
I just whacked him round the back of the head and said “Security! Throw them out! And if they have memberships, take it off them!”
We all carried on walking and when we reached reception the police turned around and said “Mr Shires you are not obliged to say anything…”
I was done for running a disorderly house and ended up at the magistrate’s court. My business partner at the time had grief from the police for years. He wasn’t having any of it so he got the best barristers and we got it thrown out.
Substation South was running and Lambeth police had a lot more to deal with and were quite happy that there was a safe place the gays were going and had a different attitude. So I loved Lambeth and I suddenly started working really proactively with Lambeth police and the council.
When a railway arch came up in Vauxhall I opened Crash. Which was my version of Tunnel. So that’s the next New York reference.
And that was the first club in Vauxhall?
Yeah you had the Royal Vauxhall Tavern and the Market Tavern, which was a pub in the Nine Elms tower which was great. That was really cool, but it wasn’t a club per se. It was a pub for the traders of Covent Garden Market so it had one of those weird licenses. At one point they used to have an after hours there but you had to buy a bunch of flowers to go in!
Hang on. You were worried about being able to fill Substation in Dean Street so why did you take a massive railway arch in Vauxhall?
Substation South was doing incredibly well and that only held 350/400, it was rammed. Also I knew South London would be a lot more accommodating and Vauxhall was literally on the border – the closest you could get to the West End and the West End was the place to be. Heaven was there, all the gay bars were there. There was nothing East really. I wanted that big superclub! I wanted it to be really underground, I wanted the music to be cutting edge. We were very much into Tribal and Twisted. I was living with Tom Stephan and he was the main DJ from Substsion so it was a platform for his sound. It was all Murk, Tenaglia, it was that whole sound.
Give me one legendary night at Crash. What sticks out in your memory?
Yoko Ono performing.
Yeah. I mean getting a phonecall in the office going “Yoko wants to perform in your club but you can’t announce it.”
It was quite special.
How do you feel about Vauxhall now?
It’s a shame. At one point when I had Crash and we had been open a few years, The Eagle (Horse Meat Disco’s home) had been taken over by Mark Oakley and Paul Wilde. And there was the RVT. So there was a bit of a gay village thing going on. We had meetings with the council to go up to Manchester to see the model of Canal Street. Lambeth were very interested in developing Vauxhall gay village with road signs, we were going to change the name of roads to names with gay references and there was this blossoming idea that we were going to turn it into the gay village. Then other people came into the area with a different game plan. Money driven. The atmosphere changed and it all broke up. At one point it was very ‘us and them’ with a club that opened up. They weren’t particularly nice; they were very spiteful, used dirty tactics and it fell apart. It lost its solidarity. Then I opened Area because I’m a sucker for punishment and I wanted a bigger club.
So you opened a giant club next door to your other giant club?
When that arch came up next door to my giant arch I thought it’s better for me to open up that giant arch than anyone else. I developed the model – everyone loved Crash and then all the arches were up for grabs.
So I opened the big club next to the big club, which was a struggle, but programme-wise it kind of worked for a couple of years, but always battling with the people I won’t mention. I made one or two bad business decisions and got involved with the enemy, and the enemy screwed me over. I thought, “I’m out of here.”
It’s a different place now
What made you get back on the saddle and start East Bloc?
I’d been a bit battered. I had enjoyed my career and what I had done. A lot of my mates had come East so I moved East. Julia and people were already living here and I bumped into Sean McLusky and he said “There’s a little club on City Road you should check out…”
I went and did a party there and it was just as I was selling Crash. The landlords said, “Do you want to buy it?”
I said, “No, I don’t want to buy a club.”
They said, “Why don’t you take a lease?”
I said, “Alright, I’ll have a go.”
Because I’m a masochist like we said at the beginning
Compared to the stress levels I’ve had in the past East Bloc is a walk in the park. It’s a lovely space to run, the crowd that come are lovely, the promoters are lovely, it’s a pleasure.
Why do you think clubs like East Bloc are important?
LGBT venues are important because there are so few and it’s really important for people to be themselves. That’s why Dalston Superstore is important. That’s why the Joiners is important. That’s why the George and Dragon is Important. That’s why The Eagle is important. There are thousands of venues in London but what venues can a boy walk in with a beard, covered in glitter, wearing a jockstrap dance on the bar in heels? It’s important we are a safe playground. What I remember growing up is that I loved going out and feeling part of a family. And I think it’s really important to help the legacy of what has come before, to go forward. People in East Bloc, the kids, they will become venue owners when me and you are way long on the tooth to be doing it. I think it’s important to show what is possible. It’s achievable isn’t it? A lot of people go “Oh my god how do you do this?”
I always thought that owning a venue was something other people did. Then something clicked and I realised it’s achievable. What do you think of the gay scene in London now?
It’s very fractured. You have the Vauxhall ‘good’ people, the bears. Soho is Soho. If a tourist came to London and said “Show me gay London!” and they wanted an overview of the scene I would struggle to find that big club that there used to be – like Heaven used to be. Or Crash was.
What for you is the ultimate London queer club?
Horse Meat Disco. Has to be. Totally.
Your relationship with Jim Stanton goes back to when you were running The Cock together?
Jim was my assistant! Eve we used to call her – Eve Harrington!
How did The Cock come about?
I was doing Crash, Jim was working in the office and I knew Simon Hobart from Popstarz who had just opened The Ghetto in my old space (The first Substation). Simon had a lesbian night on a Friday that wasn’t working and it kind of reminded me of the East Village. It was a bit alternative. Me and Jim went in there and we were sort of saying “There should be gogo boys in pants like The Cock in New York,”
We were trying to come up with the name and I think it was Jim who said, “Just call it The Cock.”
And I was like “OK.”
We had never worked together creatively on a project before and it just clicked.
Where did the musical identity come from?
That was more Jim. He’s got an incredible music taste. As have I! We’ve both got a very eclectic taste. Jim was very forward in that electro sound. I booked Tasty and Julia, Jim booked the Scissor Sisters. I remember fighting with the Ghetto about the name ‘The Cock.’ There were a lot of gay girls behind the bar and there was a protest before we started. Me and Jim were called in by Simon who told us we had to change the name. They thought we wanted to do a Men Only sex club.
Was Summer Rites, in its original incarnation, a reaction against Pride?
We got involved with Pride in ’92 when it was Europride. Pride was really exciting then and each year the attendance went up and the sponsorship got bigger and the events got bigger and the budget got bigger. It was free to get in and political and it was great. Very quickly over a five-year period it grew and it became a national thing – you’d have coaches coming from here, there and everywhere. One year we had to turn half of Clapham Common into a coach park. Londoners being Londoners had that kind of slightly snobbish thing going on. So Summer Rites was meant to be a Pride for London. And it was always meant to be representing all the different elements of the London club scene. We were taking all the politics away and we were just having a party for Londoners. A more niche, condensed party without the coaches and all that.
What made you resurrect it three years ago?
Because I’m mental and because I’m a masochist like I said at the beginning! The last one in the ‘90s we were hit by really bad weather. It had been baking all week and it was boiling hot and literally the morning of the day there was a torrential downpour. It has been so dry and it was on a hill so there were rivers coming down. I think we did eight or nine years in the end.
About four years ago I moved to Redchurch Street, Sean McLusky had his offices there and he said “I’m doing this festival called 1234 and you’ve got to come!”
I went with Julia and we had a great time. He spotted me and said “You should do the Sunday! You should bring back Summer Rites!”
I said, “No. I’m alright thank you.”
But because I live on that street and because he saw me going past his office he would come out and badger me.
You got doorstepped into starting a festival!
I got doorstepped by Sean McLusky into starting Summer Rites. It came back. Three years in Shoreditch Park which have been fun, but parks are too stressful because it can just piss down with rain and you’re screwed. Literally it’s the flip of a coin. You put all that effort and then and you’re sat there looking at the weather report. It’s life-changing if it rains.
If I want to buy you a drink this Saturday where can I find you?
You’ll probably find me in the cabaret room. But the whole venue is amazing. I got introduced to the Tobacco Dock at Winter Pride this year. And it’s undercover but feels outside so it’s amazing. It’s half indoors half outdoors. There’s a lot of daylight, there’s a lot of natural light and some big outdoor spaces. It’s beautiful. And it doesn’t matter of it’s pissing down with rain!
Join Wayne at Summer Rites at the Tobacco Dock this Saturday from noon, followed by Bender here at Dalston Superstore as one of the afterparties with special guest Den Haan from 9pm- 4am.
Get ready for the London debut of both the fabulous Gloria Viagra and her amazing clubnight Partysane! Known as the Empire State Building of drag, she is Berlin’s premiere drag superstar, and she come to make bank holiday Saturday AMAZING. Ahead of the party, we caught up with her to find out more about her, her fave queer hotspots in her hometown, and what London can expect from Partysane…
Drag queens with impressive facial hair is totally zeitgeist right now. Why do you think the public is embracing that so much?
Is my moustache that impressive?? Haha, just kidding… Big hair was always loved by the crowed. And by the artists, of course. Big wigs can tell fairytales, thats why.
Conchita Wurst publicly named you as like a sister, alongside Gaga and Drag Race creative director Mathu Anderson… who do you think of as your sisters?
My sister in crime and everything is the one and only Sherry Vine from New York. Tittsisters, as we use to say… but also the legendary Joey Arias, most of the Berlin girls and yes, sister in beard and heart is Conchita..!! ?
What was your first drag experience? Or, if that’s too personal a story, could you tell us about your most memorable drag moment?
Honey, as far as I remember I am born in sequences… there are two moments:
1. One was in the finale of The Voice Of Germany when Robbie Williams came up to me, climb up the chair next to me (to reach me…) sung for me and… then he kissed me, the drag with moustache!!! In front of the whole TV nation..!
2. One was singing with my rockband Squeezebo at the Berlin gay pride in front of 150,000 people…!!
When did you know you were actually Queen Of Berlin? Or is it just something you were destined for?
Honey, I come from a quite anarchist family, we don’t need a Queen!!! But it was quite a way to get where I am now… and a lot of wild parties to deserve the title Queen of Berlin Nightlife, hahaha!
How did Partysane come about? Where/when was the first and what was it like?
I was asked to do a party in SchwuZ. I wanted to bring a new queer crowd there and so I started PARTYSANE three and a half years ago. And it became just what I wanted, and a big insane success with great DJs and live acts from all over the world.
And what can we expect from the Partysane London debut?
Well, I really hope London can go even more nuts then Berlin!!! Terry Vietheer and I have booked a great mixture of DJs, so proud about it.. And A Man To Pet and me together will explode the DSS… aaaahhh can’t wait !!!! ?
What are some of your fave queer parties? You do seem to have a wealth of choice in your hometown of Berlin!
Yes, I looove Berlin for its diversity. Don’t know where to start… Homopatik is grreat, QueerRiotClub, Cocktail d’Amore, Horse Meat Disco, Gutterslut, Rattenbar…
You’re known as the Empire State Building of drag!! How tall are you in heels and weave and will we fit you in the DSS laser basement???
Mama Moustache is 7,4 tall give or take. I’ll take the ceiling down if I can’t walk head up…!
Who was your drag mother? Who are your Berlin children?
We never really had this tradition of drag mother before, it just came up some years ago… but the wonderful Gérôme Castell (which was nearly beaten to death last autumn just for the great person she is) is my Drag Mum… she made the way for a lot of queens!!! And my girrrrlz are Sally Morell and Fixie Fate. They’re doing their way, I am quite proud.
Gloria Viagra, please tell us, what is your top tip to living a life as fun and glamourous as yours?
Be yourself, respect the others but give a shit about conventions… Nothing is more glamourous than a heart of glitter!!
Join Gloria Viagra for her London debut of Partysane on Saturday 23rd May at Dalston Superstore from 9pm – 3am.
By Cliff Joannou / reprinted from QX Magazine with kind permission
Dalston Superstore put queer East on the map five years ago. With an incredible array of club nights, combining explosive DJs with the most mentalist drag queens and trannies, you don’t get more bang for your buck than a weekend at the ‘Superstore. Owners Mikki Most and Dan Beaumont plied Cliff Joannou with plenty of prosecco and told him just how they pull it all together every week…
CLIFF: Why is Dalston Superstore the dog’s bollocks?
DAN: Come down to our birthday next Sunday and we’ll show you…
You’re on. How has Dalston itself evolved over the past five years, and what impact has the ‘Superstore had on the area…
DAN: When we started out people thought we were crazy trying to open a gay bar in Dalston!
MIKKI: Yes, we were pretty much the first bar in the area, and certainly the first gay bar, so I think people thought we were mental. We’ve opened up a lot of doors in the area for people though, and it’s been amazing to be part of helping make Dalston more diverse. It’s been stressful at times but the booze helps!
How have you set it apart from other gay venues?
DAN: Music, booze, food and fun! You never know what to expect at the ‘Superstore. You could find Grizzle reenacting the Human Centipede on the bar – don’t ask! – and then pop downstairs for dance courtesy of some hot young DJ we’ve found in New York or Berlin.
MIKKI: Yes, we’ve always tried to push things a bit here and not just do the obvious stuff. We both ran clubs before [TrailerTrash and Disco Bloodbath] and putting on great DJs is fundamental. We’re open day and night, and I like the idea you can come for a decent cocktail and some food early evening and still be here at 4am in the morning dancing… There’s not too many places offering that in London.
For such an intimate club spot, you’ve had some very cool DJs jump at the chance to play there…
DAN: The best thing about programming your own discotheque is that you get to bring all your favourite DJs over to play. Highlights for us have been an amazing set from Prosumer in the early days, Erol Alkan dropping a disco set, the legendary David Morales playing for four hours, and multiple visits from people like Optimo, Horse Meat Disco, Chloé and Spencer Parker. Plus, our amazing residents – it wouldn’t be the same without Hannah Holland, Borja Peña, the Little Gay Brother guys, Lovely Jonjo, Dave Kendrick, Jos Gibson and the Duchess of Pork et al.
MIKKI: Absolutely, we recently had the guys over from Members Club in Berlin for B(e)ast and the music was really amazing and fresh for London. It’s great to have the freedom to bring over international talent and introduce it to our scene over here.
And it’s the place to put a wig on it…
MIKKI: It’s part of what we are and to be honest all the best nights I can remember at ‘Superstore have involved wigs and heels flying around all over the place. So many of our regulars turn up in flats and leave in heels, it’s what gives the place its sparkle.
DAN: [Laughs] Yes, our bar very often gets mistaken for a stage by our bewigged regulars doesn’t it? We wouldn’t be the venue we are without the support of people like Jonny Woo, A Man To Pet, John Sizzle, Jacqui Potato and Glyn Famous. In fact we are still in awe of their talents… not to mention their ability to stage dive in heels on a Friday night without sustaining any injuries.
Dalston Superstore (117 Kingsland High St, E8 2PB) celebrates its 5th birthday over the May Bank Holiday weekend with the main party on Sunday 4th May.
Horse Meat Disco’s Luke Howard has been soundtracking amazing nights out across the country for some time now, including the very first ever Queer Nation (and quite a few after as well), as well as the legendary night Flesh at even more legendary nightclub The Haçienda in Manchester.
In honour of him joining us at Superstore this weekend for Horse Meat Disco East on Good Friday, we’ve asked him to share some meaningful records from all areas of his life…
A record whose vocal gets you every time
I think it’d have to be Was That All It Was by Jean Carne. The vocal is impeccable – without any backing vocals at all Jean gives the performance of a lifetime. Anyone who’s ever had man trouble can relate to the lyrics! It’s ironic that it was never a hit but the track has endured for all these years.
A record that reminds you of coming out
I came out aged 16 and a track that was always being played at The Bell (the gay bar I used to frequent in Kings Cross) was Bizarre Love Triangle by New Order. It still sounds good all these decades later!
A record that you play when you are vacuuming
I tend not to play records when vacuuming as you can’t hear the music over the sound of my vacuum cleaner. However, when I’m tidying up I love listening to Aretha Franklin’s This Girl’s In Love With You album. It contains her version of Let It Be, which always has me blubbing.
A record that goes down surprisingly well at Horse Meat Disco
I guess that would have to be Big Love by Fleetwood Mac, there’s something quite Balearic about this and it’s a one good to dance to.
A record that always did the business at Queer Nation
Masters At Work featuring India – I Can’t Get No Sleep. The dance floor at QN used to live for this one. I still love hearing it as it brings back so many good memories.
A record that is forever Flesh
The record that always reminds me of Flesh is Relight My Fire by Dan Hartman. Tim Lennox used to play it every month and I’m sure it’s where Take That got the idea of doing their cover version.
A record that reminds you of your best dance floor experience
That’s hard. There’s been so many wonderful nights out. Hearing Frankie Knuckles play at The Sound Factory when he had his brief residency there in 1991 was a real highlight. When he played his remix of The Pressure by The Sounds of Blackness, months before it was released, it was absolutely magical. I’m getting goosebumps just thinking about it.
A record that you can’t listen to because it makes you too sad
For years I couldn’t listen to Last Dance by Donna Summer because it had been played on a loop as we all left the church at Gerlinde Costiff’s funeral – the song was always played at the end of the night at Kinky Gerlinky, the amazing club that Gerlinde ran with her husband Michael. It was too sad for me to hear that song for many years, but as the years have gone by I’ve begun playing it again and I know Gerlinde would be happy that we often finish Horse Meat Disco with Last Dance. It’s still Gerlinde’s song to me though.
Easter is nearly upon us which means 4 full days of partying to plan! Here’s our guide to what’s happening here at Superstore…
THURSDAY 17th APRIL: Homoelectric! The London-cum-Manchester party collective host big Thursday and kindly provide your Good Friday hangover. With a DJ set from popstrel Little Boots in the basement alongside Jamie Bull, Luke Unabomber with the MenWhoFell2Earth top floor takeover. Join the Facebook event here.
FRIDAY 18th APRIL: Horse Meat Disco! It’s three of the residents- Jim Stanton, James Hillard and Luke Howard over both floors plus Nancy’s resident Fitzgerald in the house for a Good Friday Extravaganza. Join the Facebook event here.
SATURDAY 19th APRIL: Body Talk! DJ Rokk welcomes NYC legend Larry T and Beats International’s Lindy Layton to a special bank holiday edition his long-running party celebrating original house heroes. Join the Facebook event here.
SUNDAY 20th APRIL: Sister Pantychrist! The bank holiday Sunday girl-night to end all girls is BACK! And super-awesome DJs Smokin’ Jo and Lakuti will be treating the laser basement to all kinds of amazing house music plus SPC resident Cathal will be joined by Rokk in the top deck disco. Join the Facebook event here.
And we’ll be open for teas, coffees, brunch, sandwiches and hangover cures during all four days.
DJ, producer, song writer and local hero Nadia Ksaiba is back in the laser pit this weekend for the return of Say Yes tonight alongside Rory Phillips and Thomas Whitehead. Superstore’s Dan Beaumont (and her partner in Rhythm Connection) gave her a grilling…
Tough to answer… So Good, So Right off the Night Dubbing album. It might be a Larry Levan remix if I remember rightly. The Night versions are a bit mental.
What dance floor in history would you visit if you had a disco tardis?
The Music Box in Chicago in 1984 with Ron Hardy DJing.
Who is making dance music today that’s getting you excited?
Loads of it that I play on our radio show Rhythm Connection each fortnight on NTS Radio. I’m a big fan of Mr Beatnick, Chamboché, Brassica, Debukas, they are all pretty exciting.
Tell us about your first ever dance floor epiphany?
I think it was during a Green velvet DJ set at Bugged Out when I was a teenager and it was the Creamfields Festival I decided that dance music would be my thing.
What do you miss most about Our Disco? (editor’s note: The weekly Friday Nadia ran with Rory Philips at Plastic People in the ’00s)
I miss the routine of Our Disco, going to all the record shops in Soho, actually around London each week (most are no longer there). All the digging for records. Getting the 26 bus with a record bag… that’s probably why I go to Dance Tunnel all the time. I grew up in a basement club.
Tell us a secret about Erol…
It won’t be a secret anymore if I tell you.
Dadhouse or Indie dance?
Neither – Nu-Boogie-Funk.
Who has been your favourite Say Yes guest and why?
We had Alexander Robotnik and interviewed him on a Say Yes Radio show once – and we have a big thing for Italo. And the Krikor set was amazing, Zombie Zombie because they always play the best weird french wave, but Andy Blake because he just smashes it every time he comes and plays.
Give us your top three Say Yes anthems
This is a collaborative list from myself, Thomas and Rory
Paul Parker – Right on Target
Don Quichotte – Magazine 60
Lime – On The Grid
Who’s your favourite out of Horse Meat Disco?
The one that likes Diana Ross.
(Dan: Er… I think that’s all of them.)
Join Nadia Ksaiba at Say Yes with Rory Phillips, Thomas Whitehead and White Leather Viper Club TONIGHT Friday 3rd January at Dalston Superstore from 9pm -3am.
Daniel Wang is a possibly typical California-born gay Chinese-American guy whose ten years in New York and ten years of living in Berlin have added up to a rather open-minded and musically entertaining DJ who plays mostly (but not exclusively) classic disco records – for the DJ world. Maybe not unlike what Margaret Cho is for the stand-up comedy circuit.
Well, that’s a mighty long sentence, but we’ll allow it. Now, finish this sentence: “Disco is divine because…”
Its classic incarnations from the mid-1970s to the mid-1980s, truly the meeting of the genius of jazz and classical forms with the rhythmic richness of diverse African rhythms, played and often mixed down by musicians and studio engineers who knew their trade, unlike the majority of laptop-based DJ/producers today who know little about either proper music-making or sound production.
Woah, tiger! Don’t hold back. You’re also quoted as saying, “The whole of house music can be summed up in 200 pieces of vinyl.” Like, wow. Please explain…
I still feel that way: most of house can be summed up in about 200 pieces of vinyl because the rules of the genre are extremely self-limiting. House is defined overwhelmingly as a machine beat with a mechanical repetitive bassline with some samples or vocals on top. Any real guitar, string or brass section, or real live drumming would be another territory. There are almost NEVER any proper chord changes or musical ideas, only jamming over a single non-changing groove. The best and strongest house records rely on their raw power and simplicity and the natural groove in the drum machines and synthesizers, like the Roland 909 and 303. And the rest is pretty forgettable. It doesn’t have to be a hit or even memorable to be good, but as a DJ and music lover, I would say, there aren’t a fraction of house records which have truly stood the test of time the way the great disco classics have. Not that I want to play only Salsoul classics or Dan Hartman’s Relight My Fire over and over again, but…!
DANIEL WANG’S HORSE MEAT DISCO @ DALSTON SUPERSTORE TOP 10
1. MFSB – Old San Juan
I just got this CD reissue of my favourite MFSB album, their last from 1980. The album was apparently a commercial failure, this classic jazz and orchestral disco sound was no competition against Donna Summer or the Bee Gees. Because it was too beautiful and maybe too sophisticated, not suited for AM radios, more for stereophile dancing…
2. Jean Carn – My Love Don’t Come Easy
A new remix from 2011 by master Tom Moulton, reissued on CD, just found it at a local electronics market near my home in Berlin! Actually it’s a 4 CD set, truly fantastic, 11 minute version!
3. Ben Cenak + Dream 2 Science – Dream2Science
A classic late night acid 303 track with hypnotic pads and jazz piano solo. One of a kind. Not disco. Simply gorgeous.
4. Ritchie Family, 1976 – Baby I’m On Fire
Album cut on Arabian Nights LP. I don’t like most of their songs really, too kitschy. But this one has a killer 106 BPM swinging groove and great arrangements!
5. Fancy – Slice Me Nice
Eurotrash disco 1984 just for fun! It’s a cheesy take on Passion by The Flirts. But the sound production is awesome. And the lyrics about wanting to be a piece of cake…
6. Maynard Ferguson – Invitation/ Pagliacci
Massive fusion-funk workout 1978-style with ARP synths, flute solos, and a classic jazz motif strangely reminiscent of the Theme From Star Trek.
7. Karen Carpenter – Slow Dance
That early ’80s slick production! Fat tinkly Fender Rhodes piano and a groove which is almost… danceable. Who cares when Karen’s voice is cooing so gorgeously like that…
8. Jeanne Shy – Night Dancer
Big orchestral 1978 disco 12″ clocking in at about 128 BPM, produced by Bob Esty who also did Cher’s Take Me Home among others. A bit over the top, but I love the instrumental break at the end.
9. Blaze – Can’t Win For Losing
The best of New Jersey soulful house music circa 1989. I love the instrumental version without the slightly rough vocals. This track seems a precursor to their successful later remix of Lisa Stansfield’s first club hit with Coldcut, People Hold On.
10. Ron Trent – JourneyN2U
It makes me wanna dance! I think this is from year 2005 or so? A loopy trippy pretty house music jam! Just so we don’t get stuck in a 1979 disco time warp, you understand. Say goodbye to screaming divas and say hello to the trancey hypnotic spiritual groove of contemporary electronic whatever!
Join Daniel Wang at Horse Meat East this Friday 20th December at Dalston Superstore from 9pm – 4.30am
Visit QX Magazine’s website: www.qxmagazine.com or pick up a copy here at Dalston Superstore.
Next weekend sees our annual jaunt down to Victoria Park for Lovebox Sunday! To celebrate we’re throwing two parties over the course of the weekend AND we’ve managed to get our mitts on a pair of VIP Lovebox Sunday tickets to give away! With some of favourite people appearing at the festival, from Kim Ann Foxman to DJ Harvey to Frankie Knuckles to Derrick Carter and a whole host of DSS family and friends across all the stages throughout the day, it’s sure to be a family affair.
Catch Johnny Woo, Horse Meat Disco and former DSS guests A Love From Outer Space (Andrew Weatherall and Sean Johnston) over in the Russian Standard House Of Davai… Hannah Holland, The Lovely Jonjo, Kris Di Angelis and of course Superstore boss Dan Beaumont can all be found in the East Side Strut.
Meanwhile here at the good ship Dalston Superstore, we’re kicking off the weekend with our Lovebox Sunday Warm-Up… on a Friday! We’ll be doing our duty helping you warm up your rave muscles for Sunday’s amazingness (our doctors advise you to stretch out at Dalston Superstore where we have a taster of what’s to come on the big day). Horse Meat Disco’s Luke Howard and Guy Williams of Paradise 45 will be massaging your dancing feet in the bar and kick-ass DJ Kris Di Angelis and Macho City hero Dave Kendrick will attend to your cardiovascular needs downstairs.
And on Sunday evening, it’s time once more for our legendary Outside The Box afterparty where we welcome a very special NYC guest to play alongside our fave local hero DJs including Grizzle, Borja Peña and Mikki Most.
For your chance to win a pair of VIP Lovebox Sunday just email the correct answer to firstname.lastname@example.org by 10am Monday 15th July with the email subject “GIVE ME A PAIR OF VIP LOVEBOX SUNDAY TICKETS!”
Which former Dalston Superstore guests will be playing at Lovebox Sunday?
a. A Love From Outer Space
b. A Love From The Laser Basement
c. A Love That You Found After One Too Many Hackney Iced Teas